Відео

who?Gigi Ballista

?

he reminds me of a typical mafia boss or bouncer in the movies :D he sounds funny when at the end they are in an argument

@@norbertagoston9320 nothing farther from the truth, Gigi Ballista was from Padova, my city. An area where the word mafia, in the sixties, was completely unknown to the common man. His accent is so thick and distinctively north eastern that no Italian could ever associate it with Sicily

@@nicolaloverre4524 Non puoi certo pretendere che uno straniero riconosca i vari accenti italiani, esattamente come quasi nessun italiano distingue tra di loro i vari accenti regionali della lingua inglese. Gigi Ballista parla in italiano, con voce roca e sfiatata, gesticolando molto e con un fare piuttosto aggressivo e minaccioso, sia nell'atteggiamento fisico che nel modo di parlare, e probabilmente queste sono caratteristiche che, nei film in lingua inglese, vengono associate ai mafiosi.

Film erotici + 18

Do eseguiti da Del Monaco in "studio" per la DECCA: MANON LESCAUT(atto IV° assieme a Tebaldi),TROVATORE(Di quella pira)TROVATORE-Rai,1957(Do diesis alla fine del terzetto del I° atto)-LA BOHEME(Che gelida manina "in tono")-RIGOLETTO(Do diesis nel duetto con Gilda)-Dal Vivo: 2 duetti dal BALLO IN MASCHERA(Génève,1946 e S.Francisco,1951)MANON LESCAUT(Mexico,1951 con C.Petrella)...solo per la precisione.

they're talking anout their different voices and their larynx. One is Del Monaco, the other one was an italian actor (Gigi Ballista).

@@matzvi of course they are talking about their larynx of course..... what we wonder is much more specific details

L'attore Gigi Ballista non aveva problemi dovute a malattie alla gola.Era un attore che aveva QUEL timbro(se così si può dire).Aveva cominciato a recitare primi ruoli a teatro,ma,poi,causa quella voce ha dovuto interpretare ruoli di caratterista.Questa è una trasmissione ironica per far capire che tutti abbiamo una laringe,corde vocali,ecc...ma la natura...Comunque video divertente.

Aveva una voce molto particolare. A me piace molto.

Gentile e simparico Mr.William,Il finale della trasmissione è carico di ironia.Ballista dice quanto è difficile rimanere per giorni a cavallo per "girare" una scena,ma Del Monaco gli dice:Bravo,ma lei non deve cantare a cavallo,mentre io devo stare tre ore in scena e cantare dei Sib e dei Do.Ballista replica ancora: provi lei a fare un primo piano "muto" di 20 minuti!!! Hanno fatto questa scenetta(ovviamente tutta preparata) per far capire che tutte le gole sono fatte allo stesso modo...ma la natura fa anche brutti scherzi.Un caro saluto,Bruno

seem talking tough, this is not only no english, but it cut short.

@@user-py1jg6bb2r I admire the courage of Gigi Ballista to stand in front of Mario 😂😂😂

@@zs1968 Here is the sad thing on Callas: "Onassis never beat Maria physically - he probably knew that was the one thing he couldn’t get away with - but his treatment of her was almost as brutal. No curse was too vile to hurl at her, no words of abuse too insulting. She was told to shut up because she was only a stupid dame whose nose was too big, with glasses that made her look ugly and legs that were too fat. He was not above saying she was just a cunt with a whistle in her throat who was good only for fucking. And always in front of people, to make her humiliation that much more painful. Of all the possible times of her life it could have happened, Maria picked the moment when their relationship was at its lowest point to become pregnant. She couldn’t wait to tell Ari about it. She wanted to have a baby more than she ever wanted anything in my life besides him, and the thought of bearing the child of the man she loved filled her with tenderness. But Ari had other ideas...." immortal-beauties.com/2020/04/01/the-tragic-story-of-maria-callas-and-aristotle-onassis/

@@user-py1jg6bb2r no comment... Mingo s voice is nasal, throaty and constricted.

@@user-py1jg6bb2r La Teaviata was not so well suited for him. Pippo or Raimondi were better in this opera. Mario sang Alfredo only a few times and of course did his best in an opéra a bit too light for his voice.